So few viewers are watching that this vote is probably for a lost cause: big mistake, America.
8 PROFIT (Fox) In the year’s stupidest programming move, Fox canceled this strikingly original series after a scant four episodes.
And, as if in response to the criticism that NYPD seems unable to create a female character who’s not primarily a foil for the men, there seems to be a breakthrough: new addition Jill Kirkendall (Andrea Thompson), a cop who is already looking like the most resonant crime-solving woman since Helen Mirren’s Jane Tennison in Prime Suspect.
THE FIVE WORST 1 ARLI$$ (HBO) A lot of sitcoms contain no laughs, but arid Arli$$ isn’t just mirthless, it’s the year’s most pathetic rip-off.
But Matt Le Blanc’s Joey and Courteney Cox’s Monica have flourished anew, while Jennifer Aniston’s Rachel and Matthew Perry’s Chandler are steadily becoming comic creations of remarkable intricacy. Look at this show with an open mind and try not being beguiled.
7 MURDER ONE (ABC) By the end of last season, Daniel Benzali had become known in my house as ”the boring bald guy.” But that debut run of One also pulled off the show’s then-central conceit — keeping you engaged in a single trial over 21 episodes.
9 SEINFELD (NBC) Last season’s concluding episode, in which George’s fiancee Susan died a ridiculous death (poisoned by the glue on cheap wedding-invite envelopes), was widely decried for its coldheartedness.
I laughed at the episode and at the protests — what, from writer-cocreator Larry David you expected warmth?